Get EIGHT STORIES—ALL seven modern retellings of fairy tale classics in Selena Kitt’s Modern Wicked Fairy Tales: Complete Collection—Beauty, Briar Rose, Goldilocks, Rapunzel, Red, Alice and Gretel—for one GREAT low price!

PLUS a BONUS STORY previously unreleased: Modern Wicked Fairy Tales: Wendy, a modern take on Peter Pan!

In Beauty, former beauty queen Jolee Mercier finds herself in big trouble, locked in the trunk of her husband’s BMW on her way to a remote location in the woods of northern Michigan where she’s going to be killed. Her crime? Knowing too much. An anonymous letter arrived addressed in her name with proof that her husband, Carlos, a state logging and mining mogul, had been the one responsible for her father’s death years earlier, killed for supporting the unions at a local logging camp. When a terrible accident ends her husband’s plan to kill her, Jolee wakes up alone in a cabin in the middle of the woods, rescued by a masked man they call “the beast,” with a husband who wants her dead, and miles of state forest between her and civilization.

In Briar Rose, although her dreams are filled with sensual imagery, and she’s often awakened with a throbbing sense of release, Rose has never had a sexual climax—at least, not while conscious. When she’s forced to confess her faked orgasms to her fiancé on the eve of their wedding, she finds herself alone, abandoned and suicidal—until her aunt gives her a business card with the name of a special clinic. Rose has undergone all sorts of physical and mental examinations in the past, but her aunt assures her that this place is “different.” Desperate for a solution, Rose decides to give it one last try, and finds that Dr. Matt, as he insists she call him, is indeed very different from any other person she’s ever met, and he’s determined to get to the bottom of her problem—one way or another.

In Goldilocks, Goldie Lax is a safecracking prodigy who learned her craft from her father and her grandfather before him. When she pairs up with Richard Campbell, who can hack any system, together they make the perfect team, mixing both business and pleasure. When Goldie’s grandfather, who survived the holocaust only to end up a nursing home in his eighties, tells her about a horrific crime that robbed a good friend of his family’s inheritance, Goldie enlists Campbell’s help to recover the diamonds. The three Behr brothers have stolen something too precious for words and Goldie, safecracker extraordinaire, and Campbell, their head of security, have hatched a foolproof scheme to get it back, but the long, involved plan may just complicate their relationship beyond repair.

In Rapunzel, Rachel runs Rapunzel’s, a high-end salon on the lower level of a downtown Chicago high rise and lives happily in self-imposed exile in an apartment at the top of the tower—that is until Jake Malden walks in with his teen daughter, Emma, and presents Rachel with a dilemma. Young Emma is determined to defy her mother’s wishes and get her long, beautiful, untouched hair cut off so she can donate it to charity to honor a friend with cancer. Rachel’s decision to cut the girl’s hair starts a snowball of drama, turmoil and hidden secrets rolling downhill on a course with destiny that no one is able to stop, one that ultimately threatens not only Rachel’s livelihood, but her slowly melting heart as well.

In Red, recently orphaned Mae finds herself taking care of her ill grandmother and trying to negotiate the big, wide world of New York. Aside from Griff, a drifter she’s befriended on the long walk to her grandmother’s, she is alone, a frightened country mouse in the big city. Mae can’t believe her good fortune when she meets Lionel Tryst, a charming and charismatic real estate agent, who arranges the miraculous sale of her grandmother’s expensive apartment in the horrible buyer’s market of the Great Depression so they can both move out of the city. But is Mae’s luck too good to be true—or is there a big bad wolf lurking in the shadows?

In Alice, Alice is madly in love with a man who taps into her naturally submissive nature and introduces her to the pleasurably painful delights of the BDSM world. When her Wade Knight sends a car to take her to a strange and wonderful new place, Alice finds herself in a very sticky situation where everything is upside down and nothing is as it seems.

In Gretel, Gretel has never understood her father’s choice of a second wife, and she and her brother Hans have high hopes of getting out from under the suspicious, spiteful eye of their penny-pinching stepmother once Hans graduates from college with his degree in chemistry. But on Gretel’s eighteenth birthday, when their stepmother insists they go on a month-long cruise around the coast of Australia with a rich candy-heiress grandmother neither of them has ever met, the siblings’ plan, in fact their whole world, is turned upside down. Hans is drawn into the lavish, opulent lifestyle on the yacht, easily seduced by their grandmother’s riches and her plans for his future. Wary Gretel, on the other hand, finds herself seduced instead by Andrew, their grandmother’s bodyguard and assistant. And when their grandmother reveals the real reason for taking the two siblings on the voyage, it may be too late for either of them to escape her greedy grasp.

In Wendy, Peter finds his Wendy while looking for a rare book on “shadow” in the library. After hearing Wendy’s tale of woe, he invites her and her two little brothers, Michael and John, to come live at his house in south Florida—a place he calls Neverland. But although a large cross-dressing blonde named Tink, who lives with Peter and his band, The Lost Boys, isn’t too happy about Wendy’s arrival, it’s Peter’s nemesis, James Hook, who proves to be the new couple’s greatest challenge.